Getting your Trinity Audio player ready...

Lauren Bradshaw

Let me immediately cut to the chase (pun intended) and answer the question you’re all wondering. TWISTERS is a fun and entertaining summer blockbuster, but it in no way holds a candle to its predecessor, TWISTER (1996). Still, the CGI is intense, the sound design is loud and immersive, and the lead performances – especially from Glen Powell – are sure to wow.

Following a horrible tragedy, meteorologist Kate Carter (Daisy Edgar-Jones) has spent years out of the storm-chasing business. She now lives in the largely tornado-less New York City, using her innate understanding of storm systems to direct weather alerts. But when her old friend Javi (Anthony Ramos) begs her to join his privately-funded startup, designed to use military-grade radars to learn more about tornadoes and save communities in Oklahoma, she agrees to give him a week of her time. It’s not too long before “tornado wrangler” influencer Tyler Owens (Glen Powell) enters the scene with his ragtag group of weather enthusiasts, creating a competition between scientific research and entertainment. Each group races to be the first on the scene, with Kate and Javi seeking to model the tornado and Tyler trying to get the most likes on social media. But can the two groups find a way to work together, or will the competition be more vicious than the tornadoes?

I admit to judging myself for caring too much about a summer blockbuster’s plot because that’s not really what any of us sign up for with these films. However, the encounters with tornadoes begin to feel slightly repetitive and create pacing issues, making a two-hour film feel like its runtime. And for some reason, it seems like something is missing when it comes to portraying the sheer terror of experiencing F5 tornadoes, unlike the original film; the main set pieces were not as memorable.

The film does little to make you care about whether the characters live or die, relying on Glen Powell and Daisy Edgar-Jones’s chemistry and natural charisma to do the heavy lifting. The second Powell steps out of his gigantic truck, with his cowboy hat and belt buckle sparkling in the sun … sorry, I just lost my train of thought … and that’s what TWISTERS hopes. Powell’s magnetism is sure to knock you off your feet and distract you from the film’s middling plot. And while Edgar-Jones’s performance is more muted, due to her character’s battle with PTSD, she brings an important level of humanity to the film and a character to both see yourself in and root for. More than that, her chemistry with Powell is off the charts and will certainly leave you wanting their relationship explored more in a sequel. The supporting characters are not given much to work with and as such, don’t really engender much concern when they are in deadly situations.

One element of TWISTERS I liked more than TWISTER is it showed the emotional and financial toll tornadoes ravage on communities. Of course, that is an element of the first film, but TWISTERS does a great job showcasing the speed in which tornadoes can overtake and devastate a community, both in loss of life and loss of property. This, juxtaposed with the “fun” in chasing storms brings a real human element to the film. I also want to give a shoutout to the movie not having any sad animal scenes (apart from a possible run-in with a chicken). So for all of you sickos excited to see another flying cow, this isn’t for you.

TWISTERS is the exact kind of movie you need to see in a theater so you can get the full experience. Where else can you admire the cinematography, get immersed in the sound design, and lose yourself in Glen Powell’s cowboy hat and million-dollar smile? I saw it in a Dolby theater and was blown away.

There is no end credit scene.